History as Fantasy in Music, Sound, Image and Media

SUMARIO. Introduction. Beyond Authenticity in Music, History and Fantasy ; James Cook, Alexander Kolassa, Alexander Robinson, Adam Whittaker // I. Using and Misusing Early Music. 'Official' (Televisual) / History, Music, and the Reinforcement of Popular Imagination : the Case of David Starkey's Monarchy (2004-2006) ; Alexander Robinson / Damon Albarn, Dr Dee, and situation specific medievalism : An ephemeral fantasy or a disposable commodity? ; Ralph Corrigan / Shakespeare, the Early Modern, and Period Song in the American Silent Cinema ; Kendra Preston Leonard / Early Music in the 'Early Game' ; Jennifer Smith / A Masked Ritual and Backwards Priests : Aural and Visual Corruption in Stanley Kubrick's Eyes Wide Shut ; Daniel Trocme´-Latter // II. Early music, immersive media, and virtual histories. Audio-Visual Interaction in Virtual Worlds : Seeing Sound and Hearing Objects in Visual Cultures ; James Cook / Half-real worlds? Immersion and the representation of musical pasts in virtual reality ; Adam Whittaker / Authenticity in Sound Design for Virtual Reality ; Stephen Tatlow // III. Early music out of time and space. Haunted by the Past : Music and Folk Horror in Children of the Stones / Pixels et al. : Multi-layered Representation of Past(s) in the Audio, Visual and Ludic Elements of Shovel Knight and Other Screen Media ; Dean Chalmers / The Endless Knot : Turning the Seasons in Harrison Birtwistle's Gawain (1991) and David Lowery's The Green Knight (2021) ; George K. Haggett / A Jolly Good Thirteenth-Century Romp : Galavant, Architextuality and the Intertextual Performance of Race, Gender, and Social Class in a Medievalist Musical Comedy for Television ; William A. Everett.