Double Lives : Film Composers in the Concert Hall

SUMARIO: Erich Wolfgang Korngold : the last prodigy ; Brendan G. Carroll / The concert works of Georges Auric, 1945 to 1983 ; Colin Roust / Looking for Mr. Hyde : Franz Waxman's musical activities beyond film ; Ingeborg Zechner / The double life of Miklós Rózsa's Violin concerto and The Private life of Sherlock Holmes ; Stephen C. Meyer / Bernard Herrmann's concert music, 1935 to 1975 : an overview ; Samuel Cottell / Nino Rota : neo-classicist, classical modernist, or pragmatic pluralist? ; Carl Alexander Vincent / Jerome Moross: the concert hall and stage works ; Mariana Whitmer / Don Banks : Hammer horror and serial composition ; Michael Hooper / Modern composer off the screen : Leonard Rosenman's concert music ; Reba A. Wissner / The maestro of multiple voices : the 'absolute music' of Ennio Morricone ; Felicity Wilcox / 'I did it for fun' : André Previn, crossover musician ; Frédéric Döhl / Wojciech Kilar : 'I am like a Doctor Jekyll and Mister Hyde' ; Bogumila Mika / Alberto Iglesias : the Spanish composer behind Pedro Almodóvar's films ; María Ángeles Ferrer-Forés / Johannes factotum : Jóhann Jóhannsson ; Vasco Hexel / Laura Rossi's war musics ; Kendra Preston Leonard // Appendix 1: Filmographies // Appendix 2: Works lists.