Music, Narrative and the Moving Image : Varieties of Plurimedial Interrelations

SUMARIO: Preface ; Walter Bernhart and David Francis Urrows /// Part 1 Film Music // Section 1 Film Music: Reflections on Functions ; Walter Bernhart and David Francis Urrows (eds.) / Chapter 1 Music’s Body and the Moving Image ; Lawrence Kramer / Chapter 2 Disturbing Silences and Open Narratives: Musical Gaps in Fictional and Documentary Moving Images ; Saskia Jaszoltowski / Chapter 3 Traditional and Non-Traditional Uses of Film Music, and Musical Metalepsis in The Truman Show ; Werner Wolf / Chapter 4 Homer and the Springfield Orchestra Bus: Four Test Cases for Any Future Challenge to the Diegetic/Non-Diegetic Model ; Jordan Carmalt Stokes // Section 2 Film Music: Significant Intermedial Cases ; Walter Bernhart and David Francis Urrows (eds.) / Chapter 5 Operatic Plurimediality in Italian Silent Cinema: Nino Oxilia and Pietro Mascagni’s Rapsodia Satanica (1915) ; Bernhard Kuhn / Chapter 6 Humanized Documentary, ‘Light’ Verse, and Music Made to Fit: g.p.o. Film Unit/Auden/Britten’s Night Mail (1936) ; Walter Bernhart / Chapter 7 An Incarnation of Memory: Song as Absence in Claude Lanzmann’s Shoah ; Ruth Jacobs / Chapter 8 Accumulating Schubert: Music and Narrative in Nuri Bilge Ceylan’s Winter Sleep ; Heidi Hart / Chapter 9 Mise en Scène, Mozart, and a Borrowed Chorale: Learned Style and Identity in Pawlikowski’s Ida ; Christopher Booth /// Part 2 Intermedial Varieties ; Walter Bernhart and David Francis Urrows (eds.) / Chapter 10 Shadow Images Moving to Music: La Tentation de saint Antoine in Montmartre ; Peter Dayan / Chapter 11 ‘The Big Turnaround in the Middle’: On the Silent Movie and the Film Music Interlude in Alban Berg’s Opera Lulu ; Marion Recknagel / Chapter 12 All the Pieces Matter: On Complex TV Music ; Frieder von Ammon / Chapter 13 The Music Videos of the Alternative Rock Band They Might Be Giants: Prolegomena for a Theory of Nonsense across Media ; Emily Petermann /// Part 3 Remediations ; Walter Bernhart and David Francis Urrows (eds.) / Chapter 14 Thrilling Opera: Conflicts of the Mind and the Media in Kasper Holten’s Juan ; Axel Englund / Chapter 15 Novel, Woodcuts, Film, Music …: Pondering over the Title of Gara Garayev’s Symphony Engravings ‘Don Quixote’ ; Alla Bayramova / Chapter 16 Film as Opera: Three Perspectives on Still Life and Brief Encounter ; Michael Halliwell / Chapter 17 On the Intertextual Docks, or, Whatever Happened to Shanghai Lil? ; David Francis Urrows.