Sound in Motion. Cinema, Videogames, Technology and Audiences

Ficha básica
Clasificación temática
Otros campos
SUMARIO. // Preface. New Horizons ; David Walton // Chapter One. Why there is Not Such a Thing as Popular Music ; Simon Frith // Part 1: Music and Technology: New Horizons / Chapter Two. Sound Hyperreality in Popular Music: On the Influence of Audio Production in our Sound Expectations ; Jordi Roquer González / Chapter Three. The Influence of ‘Audio Correctors’ in the Creative Process: Between the Performative Reality and the Artifices of the Digital Musical Production ; Marco Antonio Juan de Dios Cuartas / Chapter Four. Mimetextuality: An approach to Cultural Studies from the Phenomenon of Music in Streaming ; Rubén Fernández Fernández // Part 2: New Audiences / Chapter Five. The Berlin Philharmonic Digital Concert Hall: New Strategies of Music Knowledge and Conception ; Álvaro G. Díaz Rodríguez / Chapter Six. Music, Sound and Persuasion in YouTube Advertising ; Diego Calderón Garrido, Josep Gustems Carnicer and Caterina Calderon / Chapter Seven. How to Learn with Symphonic Metal lyrics: An Analysis of Different Songs and their Relationship to Literature ; Eduardo Encabo Fernández, Isabel Jerez Martínez and Lourdes Hernández Delgado // Part 3: Identities in Movement / Chapter Eight. Phonographic Industry and Classical Music in French Modern Cinema: Image and Sound of Long Play (LP) Vinyl Records in Films ; Luiza Alvim / Chapter Nine. The Tragedy of Fado in Portuguese Cinema of the 40’s and 50’s: Amália Rodrigues and the Cult of Pure and Delicate Women ; Pedro Miguel Oliveira Nunes / Chapter Ten. Theoretical Proposal for the Study of Enunciation and Focalisation within the Framework of Film Music Narrative ; Celia Martínez García // Part 4: Videogames & TV. / Chapter Eleven. Scoring for Exploration Gameplay ; Luka Lebanidze / Chapter Twelve. Music Mediatisation as a Matter of Valorisation: From Performance to Background Music in French TV Programs (1953-2015) ; Guylaine Gueraud-Pinet / Chapter Thirteen. Hugo Niebeling and Herbert von Karajan: Experimental Music Films from the Perspective of Artistic Musical Tradition ; Ramón Sanjuán Minguez.