Terror Tracks : Music, Sound and Horror Cinema

SUMARIO. / Psycho-analysis : form and function in Bernard Herrmann's music for Hitchcock's Masterpiece ; James Wierzbicki / An audiovisual foreshadowing in Psycho ; Scott Murphy / Sound and music in Hammer's vampire films ; Michael Hannan / Creative soundtrack expression : Toro Takemitsu's score for Kwaidan ; Kyoko Koizumi / Prog rock, the horror film and sonic excess : Dario Argento, Morricone and Goblin ; Tony Mitchell / Inflamed : synthetic folk music and paganism in the island world of The wicker man ; Jon Fitzgerald and Philip Hayward / Rhythms of evil : exorcising sound from The exorcist ; Mark Evans / Texas chainsaws : audio effect and iconicity ; Rebecca Coyle and Philip Hayward / Incorporating monsters : music as context, character and construction in Kubrick's The shining ; Jeremy Barham / Music of the night : scoring the vampire in contemporary film ; Janet K. Halfyard / Scary movies, scary music : uses and unities of metal in the contemporary horror film ; Lee Barron and Ian Inglis / Like razors through flesh : Hellraiser;s sound design and music ; Karen Collins / Spooked by sound : the Blair witch project ; Rebecca Coyle / Popular songs and ordinary violence : exposing basic human brutality in the films of Rob Zombie ; Laura Wiebe Taylor / Terror in the outback : Wolf Creek and Australian horror cinema ; Philip Hayward and Harry Minassian / The ghostly noise of J-horror : roots and ramifications ; James Wierzbicki.