Drawn to Sound : Animation Film Music and Sonicity

SUMARIO. Scoring animation film. Everybody scream! : Tim Burton's animated gothic-horror musical-comedies ; Janet K. Halfyard / Halas and Batchelor's sound decisions : musical approaches in the British context ; Paul Wells / An animated partnership : Joe Hisaishi's musical contributions to Hayao Miyazaki's films ; Kyoko Koizumi. Musical intertextuality. Something old, something new, something borrowed, something blue : the Beatles' Yellow submarine ; Ian Inglis / Polar grooves : dance, music and musicality in Happy feet ; Philip Hayward / Minstrelsy and musical framing in Who framed Roger Rabbit? ; Neil Lerner / An aesthetic of ambiguity : musical representation of indigenous peoples in Disney's Brother bear ; Janice Esther Tulk. Music and sonicity. Sonic nostalgia and Les triplettes de Belleville ; Daniel Goldmark / Resilient appliances : sound, image and narrative in The brave little toaster ; Jon Fitzgerald and Philip Hayward / Lupin III and the Gekiban approach : western-styled music in a Japanese format ; Kentaro Imada. Music and industrial contexts. DreamWorking Wallace & Gromit : musical thematics in The curse of the were-rabbit ; Rebecca Coyle and Peter Morris / Cowboy bebop : corporate strategies for animation music products in Japan ; Aki Yamasaki / Disney does Broadway : musical storytelling in The little mermaid and The lion king ; Rebecca Coyle, Jon Fitzgerald