Mensaje de error

Warning: Illegal offset type in isset or empty en module_exists() (línea 280 de /home/pz.musicaudiovisual.com/public_html/includes/module.inc).

Music and Mythmaking in Film : Genre and the Role of the Composer

Ficha básica

Autores: 
Scheurer, Timothy E.
Lugar de edición: 
Jefferson
Editorial: 
Mcarland & Company
Año de edición: 
2008
ISBN: 
0786431903, 9780786431908
Idioma: 
inglés
Número de páginas: 
265

Clasificación temática

Clasificación temática: 
Teoría y estètica
Historia por género

Otros campos

Descripción: 

SUMARIO. Table of Contents // Preface // Part One: Major Genres / 1 Introduction: Film Genre/Film Music / 2 Alien Harmonies: The Science Fiction Film / 3 Music for the Mean Streets: The Hardboiled-Detective Film / 4 Swashbuckling Symphonies: The Historical Romance Film / 5 The Rhythm of the Range: The Western Film Score / 6 From Swan Lake to Synthesizers: The Music of Horror Films // Part Two: Gender/Genre: Heroism in Sports Films and the Woman¿s Film / 7 The best there ever was in the game: Musical Mythopoesis and Heroism in Film Scores of Recent Sports Movies / 8 I always thought I was: Heroism and Music in Three Women's Films // Discography // Notes // Bibliography // Index

Textos portada y contraportada: 

This work studies music scoring in film genres, focusing on artistic and technical methods that modern composers employ. Each chapter begins with an analysis of major narrative and scoring conventions of a particular genre and concludes with an analysis of film examples. Several photographic stills and music excerpts are included, along with a select bibliography and discography (información de la editorial)