Music in Star Trek : Sound, Utopia, and the Future

SUMARIO. Preface ; Jay Chattaway // Introduction: Hearing Utopia in Star Trek ; Jessica Getman, Brooke McCorkle Okazaki, Evan Ware / Star Trek: The Original Series, Utopian/Dystopian Spaces, and Music ; Amanda Keeler / The Trouble with Trebles: Orchestration and False Utopias in Star Trek: The Original Series ; Reba Wissner / Tracks for Trek: Music in Network Ads for TOS ; James Deaville / From Spock with Love: Fan Audio, Participatory Media, and Circulating the Materials of Star Trek Fan Culture ; Kate Galloway / Loving Lwaxana, Trek’s Sonically Disruptive Diva ; Josh Morrison / I, Musician: Humanity, Music, and Artificial Intelligence in the Star Trek Franchise ; Jessica Getman / Not Logical, but Often True: The Evolving Role of Religion in Star Trek’s Utopia ; Naomi Graber / Sinatra in Space: Music for Hope and Loss Beyond the Final Frontier ; Timothy Summers / Markers of Utopian Difference: Music in Deep Space Nine (1993–1999) and Voyager (1995–2001) ; Paul Sommerfield / No, They’re Not Gonna Change My Mind: Anti-Fandom and the Enterprise Title Cue ; Evan Ware / Navigating Contrasting Styles in the First Three Star Trek Film Scores ; Louis Niebur / Songs of the Final Frontier: Listening to Whales in Star Trek IV: The Voyage Home ; Sarah Kessler / Days of Utopia Past: Nostalgia and the Star Trek (2009) Soundtrack ; Brooke McCorkle Okazaki / Epilogue: The Conflicted Utopias of Star Trek’s Renaissance (2017–) ; Jessica Getman, Brooke McCorkle Okazaki, Evan Ware