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Haunted Soundtracks : Audiovisual Cultures of Memory, Landscape, and Sound

Ficha básica

Autores: 
Donnelly, K.J. (ed.)
Mollaghan, Aimee (ed.)
Lugar de edición: 
Nueva York
Editorial: 
Bloomsbury Academic
Año de edición: 
2024
Colección y número: 
New Approaches to Sound, Music, and Media
ISBN: 
9781501389559, 9781501389597, 1501389556, 1501389599
Idioma: 
inglés
Número de páginas: 
ix, 211

Clasificación temática

Clasificación temática: 
Análisis audiovisual
Historia por género
Miscelánea

Otros campos

Descripción: 

SUMARIO.

Introduction ; K.J. Donnelly and Aimee Mollaghan.

What wind in what trees? Listening to Blow-Up (1966) ; Paul Newland.

Imaginal Space and the Occult Soundtrack in Guy Maddin's Keyhole (2011) ; Daniel Bishop.

The Haunted and the Medium ; K.J. Donnelly.

Producing Paranormal Sounds : the BBC Radiophonic Workshop, The Legend of Hell House (1973) and The Stone Tape (1972) ; Jamie Sexton.

Cries and Whispers : Landscape and Sound in The Owl Service (1969) and Red Shift (1978) ; Craig Wallace.

Concrète Spaces : Musique Concrète in Gus van Sant's Elephant (2003) and Paranoid Park (2007) ; Jessica Shine.

Haunted by Extinction : Sounding an Arctic Uncanny ; Lisa Coulthard.

Acoustic Ghosts and Haunted Landscapes in Contemporary British Landscape Cinema ; Aimee Mollaghan.

The Long Trajectory of Death : Justin Kurzel's Screen Adaptation of Shakespeare's Macbeth (2015) ; Danijela Kulezic-Wilson.

Haunted Folk : Specters of the Analogue in Annihilation (2018) ; John McGrath.

Sonic Novelty and Conceptual Obscurity : Music, Landscape and Enigma in Picnic at Hanging Rock (Peter Weir, 1975) ; Jady Jiang.Outside Inside : Nature, Gender and the Altered Domestic Space in Possum (1997) and Nature's Way (2006) ; Andrea Wright.