Haunted Soundtracks : Audiovisual Cultures of Memory, Landscape, and Sound

SUMARIO. Introduction ; K.J. Donnelly and Aimee Mollaghan // What wind in what trees? Listening to Blow-Up (1966) ; Paul Newland / Imaginal Space and the Occult Soundtrack in Guy Maddin's Keyhole (2011) ; Daniel Bishop / The Haunted and the Medium ; K.J. Donnelly / Producing Paranormal Sounds : the BBC Radiophonic Workshop, The Legend of Hell House (1973) and The Stone Tape (1972) ; Jamie Sexton / Cries and Whispers : Landscape and Sound in The Owl Service (1969) and Red Shift (1978) ; Craig Wallace / Concre`te Spaces : Musique Concrète in Gus van Sant's Elephant (2003) and Paranoid Park (2007) ; Jessica Shine / Haunted by Extinction : Sounding an Arctic Uncanny ; Lisa Coulthard / Acoustic Ghosts and Haunted Landscapes in Contemporary British Landscape Cinema ; Aimee Mollaghan / The Long Trajectory of Death : Justin Kurzel's Screen Adaptation of Shakespeare's Macbeth (2015) ; Danijela Kulezic-Wilson / Haunted Folk : Specters of the Analogue in Annihilation (2018) ; John McGrath / Sonic Novelty and Conceptual Obscurity : Music, Landscape and Enigma in Picnic at Hanging Rock (Peter Weir, 1975) ; Jady Jiang / Outside Inside : Nature, Gender and the Altered Domestic Space in Possum (1997) and Nature's Way (2006) ; Andrea Wright.