Musicals at the Margins : Genre, Boundaries, Canons

SUMARIO: Acknowledgements // 1. Introduction: Genre Panic at the Margins ; Julie Lobalzo Wright and Martha Shearer Generic boundaries / 2. Danceploitation, Musical Disruption, and Synergy in Saturday Night Fever, Flashdance, and Breakin' ; Jenny Oyallon-Koloski / 3. Pitching Utopia: Popular Music, Community, and Neoliberalism in the Choir Film ; Eleonora Sammartino / 4. E-Q-U-I-T-Y: Generic Boundaries, Gender, and Real Estate in the Magic Mike Films ; Martha Shearer / 5. Saint-Louis Blues: From Oral Storytelling to Aural Filmmaking ; Estrella Sendra Fernn`dez Musicals of the margins / 6. The Marseille Film Operetta ; Marie Cadalanu and Phil Powrie / 7. Heteroglossia in the Musical Number: Song, Music Performance, and Marginalised Identity in Tony Gatlif's Swing (2002) ; Tamsin Graves / 8. Sexsationalist Feminism in The Devil's Carnival Project (2012, 2015) ; Joana Rita Ramalho Musical sequences / 9. The On- and Off-Screen Politics of Sophia Loren's Musical Performances in Houseboat (1958) and It Started in Naples (1960) ; Sarah Culhane / 10. 'Just a Little Warm-Up for the Job': Harold Nicholas, the Specialty Act, and the Hollywood Song-and-Dance Man ; Kate Saccone / 11. A Language of its Own: Mani Ratnam's Experiments with the Song Scene Aakshi Magazine Music / 12. Pianos, Affect and Memory Paul Mazey and Sarah Street / 13. Everybody Wants to Be a Cat: Jazz Culture and Disney Animation in the 1960s ; Landon Palmer / 14. Short-Form Pop Music Films in 1960s Britain ; Richard Farmer / 15. 'Good Evening Pasadena!': Fantastical Performance Spaces in the Rock Documentary ; Richard Wallace Musicals across media / 16. Live Musical Spectaculars: Eventizing Network Television in the Post-Network Age ; Anthony Enns / 17. Camp and the Celebration of the Popular Song in RuPaul's Drag Race 'Lip Sync for Your Life' ; Julie Lobalzo Wright // List of Contributors // Index.