Experiencing Music and Visual Cultures : Threshold, Intermediality, Synchresis

SUMARIO. Setting the Scene // 2 -Synch: Scenes of Implication; Alessandra Campana / 3 - Armida In-Between. The Translation of the Affetti; Giovanni Careri // Voice as Presence and Absence / 4 - La Voix humaine (1959-2016) and the "Epiphany" of the Performer’s Identity; Francesca Placanica / 5 - Puppets that Sing or Scenery that Breathes: Phelim McDermott’s Satyagraha; Hayley Fenn / 6 - Manipulating (Public) Images in the Contemporary Music Documentary; Jennifer O’Meara / 7 - A New Carmen for a Renewed Spain: Nationalism and Cinema during the Spanish Civil War; Laura Miranda // Beyond Borders / 8 - "Uber Opera": The Politics of Site-Specific Mobile Opera in Los Angeles; Monica Chieffo / 9 - Quel trouble me saisit? The Arrested Gaze of Armide in Poussin, Quinault and Lully; Michael Lee / 10 - Music in Cuban Revolutionary Cinema: Musical Experimentation in the Service of Revolutionary Ideology; Marisol Quevedo / 11 - Ken Russell’s Mahler: A Musical Phantasmagoria; Pascal Vandelanoitte / 12 - There’s Meth in the Madness: Music and Incongruence in AMC’s Breaking Bad; Jessica Shine // From Silence to Sound and Back / 13 - Music, Painting, Cosmos, Chaos: Flaying and Playing in Titian and Ribera; Itay Sapir / 14 - Armonia: Seeing and Hearing in Veronese’s Le nozze di Cana; Antonio Cascelli / 15 - Listening to Space in Time; Susanna Pasticci / 16 - The Allowable Voices of Silent Opera Films in 1910s Ireland; Denis Condon.