The Routledge Companion to Screen Music and Sound

SUMARIO. Introduction: Framing Screen Music and Sound ; Miguel Mera, Ronald Sadoff, And Ben Winters // Part 1: Issues in the Study of Screen Music and Sound / 1. The Ghostly Effect Revisited ; K.J. Donnelly / 2. Mystical Intimations, the Scenic Sublime, and the Opening of the Vault: De-classicizing the Late-romantic Revival in the Scoring of `New Hollywood' Blockbusters c. 1977-1993 ; Peter Franklin / 3. Screen Music and the Question of Originality ; Miguel Mera / 4. Affect, Intensities, and Empathy: Sound and Contemporary Screen Violence ; Lisa Coulthard / 5. Balinese Music, an Italian Film, and an Ethnomusicological Approach to Screen Music and Sound ; Michael B. Bakan / 6. Emphatic and Ecological Sounds in Gameworld Interfaces ; Kristine Jorgensen / 7. "You Have to Feel a Sound for It to Be Effective": Sonic Surfaces in Film and Television ; Lucy Fife Donaldson / 8. Screen Music, Narrative, and/or Affect: Kieslowski's Musical Bodies ; Nicholas Reyland / 9. Roundtable: Current Perspectives on Music, Sound, and Narrative in Screen Media ; Anahid Kassabian (convenor) with Elena Boschi, James Buhler, Claudia Gorbman, Miguel Mera, Roger Moseley, Ronald Sadoff, and Ben Winters // Part 2: Historical Approaches / 10. Sound Design and Its Interactions with Music: Changing Historical Perspectives ; Danijela Kulezic-Wilson / 11. Dimensions of Game Music History ; Tim Summers / 12. The Changing Audio, Visual, and Narrative Parameters of Hindi Film Songs ; Anna Morcom / 13. From Radio to Television: Sound Style and Audio Technique in Early TV Anthology Dramas ; Shawn Vancour / 14. Manifest Destiny, The Space Race, and 1960s Television ; Robynn J. Stilwell / 15. The Early Cinema Soundscape ; Rick Altman / 16. The Shock of the Old: The Restoration, Reconstruction, or Creation of `Mute'-Film Accompaniments ; Gillian B. Anderson / 17. Music That Works: Listening to Prestige British Industrial Films ; Annette Davison / 18. The Fine Art of Repurposing: A Look at Scores for Hollywood `B' Films in the 1930s ; Jeff Smith / 19. Trailer or Leader? The Role of Music and Sound in Cinematic Previews ; James Deaville // Part 3: Production and Process / 20. A Star is Born: Max Steiner in the Studios, 1929-1939 ; Nathan Platte / 21. Sound Standings: A Brief History of the Impact of Labor and Professional Representation on the Place of Early Sound Workers in the Industry (1927-1937) ; Gianluca Sergi / 22. In Sync? Music Supervisors, Music Placement Practices, and Industrial Change ; Bethany Klein And Leslie M. Meier / 23. Shaping the Soundtrack? Hollywood Preview Audiences ; Ronald Sadoff and Miguel Mera / 24. Craft, Art, or Process: The Question of Creativity in Orchestration for Screen ; Ian Shapiro / 25. Post-Apartheid Cinema ; Christopher Letcher / 26. Simulation: Squaring the Immersion, Realism, and Gameplay Circle ; Stephen Baysted / 27. The Voice Delivers the Threats, Foley Delivers the Punch: Embodied Knowledge in Foley Artistry ; Sandra Pauletto / 28. Direct Sounds, Language Swaps, and Directors' Cuts: The Quest for Fidelity in the Film Soundtrack ; Emile Wennekes // Part 4: Cultural and Aesthetic Perspectives / 29. From Disney to Dystopia: Transforming "Brazil" for a US Audience ; Kariann Goldschmitt / 30. Birth and Death of the Cool: The Glorious Afflictions of Jazz on Screen ; Jeremy Barham / 31. Home Theater(s): Technology, Culture, and Style ; Mark Kerins / 32. Drive, Speed, and Narrative in the Soundscapes of Racing Games ; Karen Collins And Ruth Dockwray / 33. Music, Genre, and Nationality in the Postmillenial Fantasy Role-Playing Game ; William Gibbons / 34. `Sounding' Japanese: Traditions of Music in Japanese Cinema ; Alexander Binns / 35. Sounding Transculturation: Western Opera in Korea during the Japanese Occupation (1910-1945) ; Jeongwon Joe / 36. Christopher Plummer Learns to Sing: The Torn Masculinities of Mid-Century US Musicals ; Caryl Flinn / 37. Music, Whiteness, and Masculinity in Michael Mann's The Last of the Mohicans ; Rebecca FuLoeP / 38. Some Assembly Required: Hybrid Scores in Moonrise Kingdom and The Grand Budapest Hotel ; Kate Mcquiston // Part 5: Analyses and Methodologies / 39. Methods and Challenges of Analyzing Screen Media ; Frank Lehman / 40. From Intuition to Evidence: The Experimental Psychology of Film Music ; Siu-Lan Tan / 41. Idolizing the Synchronized Score: Studying Indiana Jones Hypertexts ; Ben Winters / 42. Fearful Symmetries: Music as Metaphor in Doppelganger Films ; Tom Schneller / 43. Musical Dreams and Nightmares: An Analysis of Flower ; Elizabeth Medina-Gray / 44. Reverb, Acousmata, and the Backstage Musical ; Peter Doyle / 45. Unsettling the Soundtrack: Acoustic Profiling and the Documentation of Community and Place ; Randolph Jordan / 46. The Sound of Slime-ness: Telling Children's Stories on the Nickelodeon Network ; Jennifer Fleeger.