The Routledge Companion to Music and Visual Culture

RESUMEN. Dedica solo algunos capítulos a las relaciones entre música y audiovisual. SUMARIO. Seeing music ; Richard Leppert / Synaesthesia ; Simon Shaw-Miller / Art history for musicologists ; Charlotte de Mille / Musicology for art historians ; Jonathan Hicks / Iconography ; Robert L. Kendrick / Cultural history ; Marsha Morton / Performance studies ; Laura Cull / Studying music and screen media ; David Neumeyer / Visual evidence in ethnomusicology ; Andrew Killick / Representing music-making ; Alan Davison / Composer portrait prints ; Stephen A. Bergquist / Music, symbolism, and allegory ; Ayla Lepine / Music as attribute: idea, image sound ; Philip Weller / Looking and listening: music and sound as visual trope in ukiyo-e ; Alexander Binns / Painting and musicality ; Therese Dolan / The "representation" of paintings in music ; William L. Coleman / Gesture and imagery in music performance: perspectives from North Indian classical music ; Laura Leante / Notations: context and structure in Japanese traditional music notation ; Liv Lande / Manuscripts ; Marica S. Tacconi / Printed music: music printing as art ; Kate van Orden / Album art and posters: the psychedelic interplay of rock art and art rock ; Jan Butler / Visual metaphors in music analysis and criticism ; Gurminder Kaur Bhogal / Visual metaphors in music treatises: metaphor as experience in Vincenzo Galilei's Dialogo della musica antica e della moderna ; Antonio Cascelli / Musical metaphors in art criticism ; Anne Leonard / Musical metaphors in art treatises: the codification of emotions in eighteenth-century art theory ; Clare Hornsby / Leonardo and the paragone ; Tim Shephard / Poussin and the modes ; Sheila McTighe / Wagner's Gesamtkunstwerk ; Diane V. Silverthorne / Ra¯gas, mood, and representation ; Jonathan B. Katz / Artists as musicians and musical connoisseurs: musicians, me´lomanes, and ideas of music among nineteenth-century artists ; Peter L. Schmunk / Musical spaces: the politics of space in Renaissance Italy ; Tim Shephard / Built architecture for music: spaces for chamber music in sixteenth-century Italy ; Laura Moretti / Urban soundscapes: hearing and seeing Jerusalem ; Abigail Wood / Music in social and artistic context: women qin players ; Mingmei Yip / Music in new media ; Fabian Holt / Pageantry ; Kelley Harness / Opera ; Sarah Hibberd / Ballet: interactions of musical and visual style ; Philip Weller / Dance: visual;musical effects in two dance performances ; Flaviana Sampaio / Musicals ; Dominic McHugh / Film I: Bollywood/music and multimedia ; Anna Morcom / Film II ; David Neumeyer / Multimedia art: video art-music ; Holly Rogers / Music, visual culture, and digital games ; Roger Moseley.