From Sounds to Music and Emotions : 9th International Symposium, CMMR 2012, London, UK, June 19-22, 2012, Revised selected papers

SUMARIO. I. Music Emotion Analysis. / The Six Emotion-Face Clock as a Tool for Continuously Rating Discrete Emotional Responses to Music ; Emery Schubert [and others] / Emotion in Motion: A Study of Music and Affective Response ; Javier Jaimovich, Niall Coghlan and R. Benjamin Knapp / Psychophysiological Measures of Emotional Response to Romantic Orchestral Music and Their Musical and Acoustic Correlates ; Konstantinos Trochidis [and others] // II. 3D Audio and Sound Synthesis. / Two-Dimensional Hybrid Spatial Audio Systems with User Variable Controls of Sound Source Attributes / Martin J. Morrell and Joshua D. Reiss / Perceptual Characteristic and Compression Research in 3D Audio Technology ; Ruimin Hu [and others] / Intuitive Control of Rolling Sound Synthesis ; Simon Conan [and others] / EarGram: An Application for Interactive Exploration of Concatenative Sound Synthesis in Pure Data ; Gilberto Bernardes, Carlos Guedes and Bruce Pennycook / Reenacting Sensorimotor Features of Drawing Movements from Friction Sounds ; Etienne Thoret [and others] // III. Computer Models of Music Perception and Cognition / Auditory Sketches: Sparse Representations of Sounds Based on Perceptual Models ; Clara Suied [and others] / The Role of Time in Music Emotion Recognition: Modeling Musical Emotions from Time-Varying Music Features ; Marcelo Caetano, Athanasios Mouchtaris and Frans Wiering / The Intervalgram: An Audio Feature for Large-Scale Cover-Song Recognition ; Thomas C. Walters, David A. Ross and Richard F. Lyon / Perceptual Dimensions of Short Audio Clips and Corresponding Timbre Features ; Jason Jirí Musil, Budr Elnusairi and Daniel Müllensiefen. // IV. Music Emotion Recognition. / Music Emotion Recognition: From Content- to Context-Based Models ; Mathieu Barthet, György Fazekas and Mark Sandler / Predictive Modeling of Expressed Emotions in Music Using Pairwise Comparisons ; Jens Madsen, Bjørn Sand Jensen and Jan Larsen / Analyzing the Perceptual Salience of Audio Features for Musical Emotion Recognition ; Erik M. Schmidt [and others] // V. Music Information Retrieval. / Sample Identification in Hip Hop Music ; Jan Van Balen, Joan Serrà and Martín Haro / Music Similarity Evaluation Using the Variogram for MFCC Modelling ; Lorenzo J. Tardón and Isabel Barbancho / Automatic String Detection for Bass Guitar and Electric Guitar ; Jakob Abeßer / Using Oracle Analysis for Decomposition-Based Automatic Music Transcription ; Ken O'Hanlon, Hidehisa Nagano and Mark D. Plumbley. // VI. Film Soundtrack and Music Recommendation. / The Influence of Music on the Emotional Interpretation of Visual Contexts ; Fernando Bravo / The Perception of Auditory-Visual Looming in Film ; Sonia Wilkie and Tony Stockman. // VII. Computational Musicology and Music Education. / Maximum a Posteriori Estimation of Piecewise Arcs in Tempo Time-Series ; Dan Stowell and Elaine Chew / Structural Similarity Based on Time-Span Tree ; Satoshi Tojo and Keiji Hirata / Subject and Counter-Subject Detection for Analysis of the Well-Tempered Clavier Fugues ; Mathieu Giraud, Richard Groult, Florence Levé / Market-Based Control in Interactive Music Environments ; Arjun Chandra [and others] // VIII. Cross-Disciplinary Perspectives on Expressive Performance Workshop. / (Re)Shaping Musical Gesture: Modelling Voice Balance and Overall Dynamics Contour ; Regiane Yamaguchi and Fernando Gualda / Multimodal Analysis of Piano Performances Portraying Different Emotions ; Kristoffer Jensen and Søren R. Frimodt-Møller / Focal Impulses and Expressive Performance ; John Paul Ito / Learning to Make Feelings: Expressive Performance as a Part of a Machine Learning Tool for Sound-Based Emotion Control ; Alexis Kirke, Eduardo R. Miranda and Slawomir J. Nasuto.