Changing Tunes : The Use of Pre-Existing Music in Film

SUMARIO. Introduction // Part I Pre-existing Classical Film Scores: Ears wide open: Kubrick's music, Claudia Gorbman / Classical music, ambiguity and film, Mike Cormack / The Godfather Part III: film, opera and the generation of meaning, Lars Franke / High and low culture: Bizet's Carmen and the cinema, Ann Davies / Reconsidering Amadeus: Mozart as film music, Jeongwon Joe / The troll amongst us, Kristi A. Brown // Part II Popular Music and Film: Queer pleasures: the bolero, camp and Almodovar, Vanessa Knights / Music, electricity, and the 'sweet mystery of life' in Young Frankenstein, Raymond Knapp / Popular song as leitmotiv in Pulp Fiction and Trainspotting, Ronald Rodman / The fabulous destiny of the accordion in French cinema, Phil Powrie / Vinyl communion: the record as ritual object in girls' rites-of-passage films, Robynn Stilwell / Narrating sound: the pop video in the age of the sampler, Timothy Warner. // Filmography // Bibliography // Index.