Reinventing Sound : Music and Audiovisual Culture

Preface // Table of Contents //PART I:NEW MEDIA,NEW AUDIENCES / Chapter One. Popular Music and Transmedia Aesthetics: On the Conceptual Relation of Sound, Audio-Vision and Live Performance; Christofer Jost / Chapter Two. Baby you’re a star: Selfies, Lip Dubs and Parodies; Enrique Encabo / Chapter Three. Queen’s Snake:The Use of Audio Production as a means to Semantic Extension in Queen’s “Was It All Worth It” ; Jordi Roquer, Santos Martínez and Carles Badal / Chapter Four. A Drop of megalomania, a Touch of generosity, A Dash of Self-promotion: U2’s Release of Songs of Innocence ; Ismael López Medel / Chapter Five The Sunn O))) Album Cover as Puzzle ; Albert R. Diaz / Chapter Six Music Video and Advertisement ; Pedro Buil / Chapter Seven.Transmedia Storytelling and the Disney Universe: An Analysis of Some Successful Original Soundtracks ; Eduardo Encabo Fernández, Isabel Jerez Martínez and Lourdes Hernández Delgado // PART II:MUSIC,CINEMA AND AUDIOVISUAL PRACTICES: NEW APPROACHES / Chapter Eight. Musical Meaning on the Screen: An Approach to Semiotics for Music in Cinema ; Rosa Chalkho / Chapter Nine. Temporal Semiotic Units (TSUs) in Audiovisual Analysis ; Diego Calderón Garrido and Josep Gustems Carnicer / Chapter Ten. Creativity in Sound Postproduction ; Francesc Llinares Heredia and Josep Maria Mayol i Puentes / Chapter Eleven. Evil Bach ; Valentín Benavides / Chapter Twelve. Resounded and Inverted: Musical World of Stanley Kubrick ; Mariya Gayduk / Chapter Thirteen. Capturing Music as a Protagonist: Audiovisual Narration in Films by Jim Jarmusch ; Saskia Jaszoltowski / Chapter Fourteen. The Origins and Evolution of Promoting Rock Music in Spain ; Juan Carlos Rodríguez Centeno / Chapter Fifteen. Henri-Georges Clouzot and Herbert von Karajan: The Filming of Music from the Perspective of Modern Cinema ; Ramón Sanjuán Mínguez / Chapter Sixteen. Alvis Hermanis Il Trovatore (Salzburg, 2014): How to Analyze a Stage and Musical Text from the Cultural Semiotics? ; Manuel A. Broullón Lozano.