Movie Music : The Film Reader

SUMARIO. // Part One: The Meanings of the Film Score. / Introduction. / 1. Kathryn Kalinak, The Language of Music. A Brief Analysis of Vertigo. / 2. Theodor Adorno and Hans Eisler, Prejudices and Bad Habits. / 3. Claudia Gorbman, Why Music? The Sound Film and Its Spectator. / 4. Tim Anderson, Reforming Jackass Music: The Problematic Aesthetics of Early American Film Music Accompaniment. // Part Two: The Place of the Song. / Introduction. / 5. Jeff Smith, Banking on Film Music. Structural Interactions of the Film and Record Industries. / 6. Lawrence Grossberg, Cinema, Postmodernity and Authenticity. / 7. Anastasia Valassopoulos, The Silences of Palace and the Anxiety of Musical Creation. / 8. Ian Garwood, Must You Remember this? Orchestrating the Standard Pop Song in Sleeples in Seattle. // Part Three: The formal Politics of Music on Film. / Introduction. / 9. Krin Gabbard, Whose Jazz, Whose Cinema? / 10. Philip Brophy, The Animation of Sound. / 11. Kay Dickinson, Pop, Spedd, Teenagers and the MTV Aesthetic // Part Four: Crossing over into the Narrative. / Introduction. / 12. Carl Plantinga, Gender, Power, and Cucumber: Satirizing Masculinity in This is Spinal Tap. / 13. Keir Keightley, Manufacturing Authenticity: Imagining the Music Industry in Anglo-American Cinema, 1956-62. / 14. Lisa Lewis, A Madonna Wanna-Be Story on Film.