The Music of Counterculture Cinema : A Critical Study of 1960s And 1970s Soundtracks

SUMARIO. Framing Utopia : Monterey pop and the heart of the counterculture / Creating the downfall : Gimme shelter and the end of the counterculture / Searching fort the real times, baby : Head and the unmaking of the Monkees / Love in counterculture films : music's diplomatic role in Harold and Maude / Space is the place : Barbarella and hearing the future / Did the soundtrack also blow it? : using rock to capture counterculture generational identity / Setting the escapist scene with music : sex and comedy in an exotic world / Generational genocide : selling youth rebellion in Roger Corman's Gas-s-s / African American artists in Hollywood : Isaac Hayes' contribution to Shaft / I'm watching it for its music : Deep throat and its soundtrack / Challenging normativity and pushing boundaries : Midnight cowboy and cultural resistance / Ambiguous meaning of music : combining technology and music in the dystopian world of A clockwork orange / Understanding country ways : a talk with Country Joe McDonald about counterculture film / Bringing the 1960s to life : an interview with director Robert Greenwald.