The Oxford Handbook of Film Music Studies

SUMARIO. Overview ; David Neumeyer // Music and the ontology of the sound film ; James Buhler and David Neumeyer / Opera and film ; Marcia Citron / Visual representation of film sound as analytical tool ; Rick Altman / Film music from the perspective of cognitive science ; Annabel Cohen / Composing for film ; Peter Schweinhardt and Johannes C. Gall ; translated by Oliver Dahin / Ontological, formal, and critical theories of film music and sound ; James Buhler / Drawing a new narrative for cartoon music ; Daniel Goldmark / Genre theory and the film musical ; Cari McDonnell / The tunes they are a-changing ; Jeff Smith / The compilation soundtrack from the 1960s to the present ; Julie Hubbert / The origins of musical style in video games, 1977-1983 ; Neil Lerner / Classical music, virtual bodies, narrative film ; Lawrence Kramer / Gender, sexuality, and the soundtrack ; James Buhler / Psychoanalysis, apparatus theory, and subjectivity ; James Buhler // Case studies, introduction ; Robynn Stilwell / Case study 1, The order of sanctity ; Mitchell Morris / Case study 2, Strange recognitions and endless loops ; Julie McQuinn / Transformational theory and the analysis of film music ; Scott Murphy / Listening in film ; Marianne Kielian-Gilbert / Auteurship and agency in television music ; Ronald Rodman / When the music surges ; Michael Pisani / Audio-visual palimpsests ; Julie Brown // Performance practices and music in early cinema outside hollywood ; Kathryn Kalinak // Performing prestige ; Nathan Platte.