We'll Meet Again : Musical Design in the Films of Stanley Kubrick

SUMARIO. Preface // Acknowledgements // List of Illustrations // Introduction // PART I THE ANATOMY OF THE KUBRICK SOUNDSCAPE / 1 Language, Lyrics, Voice and Sound / 2 Drawing Lines and Crossing Borders: Musical Climates, the Diegetic-Nondiegetic Border and Voice-Over Narration // PART II MUSIC-CINEMATIC TOPICS / 3 Mysterious Music with Invisible Edges and The Emergence of Musical Form in The Shining / 4 Reimagining Music in Barry Lyndon / 5 The Mutual Inscription of Music and Drama // PART III WE'VE MET BEFORE: FAMILIAR PIECES AND THEIR HISTORIES / 6 Evolution and Amnesia in the Soundtrack of 2001: A Space Odyssey / 7 Musical Dialectics and The More Troublesome Beethoven / 8 Kubrick's Spin on Max Ophüls and the Ineluctable Waltz // Coda // Select Bibliography // Index