John Williams's Film Music : Jaws, Star Wars, Raiders of the Lost Ark, and the Return of the Classical Hollywood Music Style

SUMARIO. // pt. I. The Classical Hollywood Music Style / 1. The Classical Hollywood Music: A Chronicle / 2. The Classical Hollywood Music: A Stylistic Definition // pt. II John Williams and the Classical Hollywood Music Style / 3. The Modern Hollywood Music Style: The Context of Williams's Restoration / 4. Star Wars: An Oppositional Score / 5. Williams's Early Years: Spotting the First Traces of Neoclassicism. 6. Jaws: Williams's Neoclassicism Floats Up to the Surface / 7. Williams's Neoclassicism: Style and Habits / 8. Williams's Naysayers: A Deconstruction of Classical and New Criticisms / 9. Raiders of the Lost Ark Background: A Neoclassical Film / 10. Raiders of the Lost Ark Analysis: The Return of Max Steiner / 11. Beyond the Films: Conductor John Williams. // Appendix 1. Completing the Picture / Williams's Versatility for Spielberg (and Others) / The Spielberg/Williams Collaboration / Williams's Eclecticism Besides Spielberg (and Lucas). // Appendix 2. Film and TV Scores, Concert Pieces, and Arrangements / Scores for Feature Films / TV Scores / Principal Early-Year Collaborations / Fanfares, Orchestral Miniatures, and Concert Pieces / Catalogue of Film-Music Concert Pieces / Principal Medleys and Arrangements from Film Scores, Songs, and Popular Music.