Deleuze and Film Music : Building a Methodological Bridge Between Film Theory and Music

SUMARIO. Introduction // Methodology / Deleuzian sensation and Maurice Jaubert's score for L'Atalante / The division of the one: Leonard Rosenman and the score for East of Eden / Dmitri Shostakovich's score for Kozintsev's Hamlet / Fragments of a life: becoming-music/woman In Kryzysztof Kieslowski's Blue / The changing conception of space as a delineator In film score style: a comparative analysis of the scores for Things to come and Scott of the Antarctic // Conclusion // References // Corpus of films // Films cited in text.