Off the Planet : Music, sound and science fiction cinema.

SUMARIO. Sci fidelity : music, sound and genre history ; Philip Hayward / Hooked on aetherophonics : The day the earth stood still ; Rebecca Leydon / Atomic overtones and primitive undertones : Akira Ifukube's sound design for Godzilla ; Shuhei Hosokawa / Forbidden planet : effects and affects in the electro avant garde ; Rebecca Leydon / The transmolecularisation of [Black] folk : Space is the place, Sun Ra and afrofuturism ; Nabeel Zuberi / Nostalgia, masculinist discourse, and authoritarianism in John Williams' scores for Star wars and Close encounters of the third kind ; Neil Lerner / Sound and music in the Mad Max trilogy ; Rebecca Coyle / These are my nightmares : music and sound in the films of David Cronenberg ; Paul Théberge / Ambient soundscapes in Blade runner ; Michael Hannan, Melissa Carey / I'll be back : recurrent sonic motifs in James Cameron's Terminator films ; Karen Collins / Inter-planetary soundclash : music, technology and territorialisation in Mars attacks! ; Philip Hayward / Mapping the Matrix : virtual spatiality and the realm of the perceptual ; Mark Evans.