On the Track : A Guide to Contemporany Film Scoring. 2nd edition

RESUMEN. Manual técnico, e incluso laboral y jurídico. Permite saber cuál es el sistema de trabajo del compositor de cine en Hollywood; pero su lectura es mejor que quede reservada a profesionales de la música. Contiene bibliografía. Prólogo de John Williams., , SUMARIO. Foreword by John Williams // Preface to the First Edition // Preface to the Second Edition // Acknowledgments for the first edition // Acknowledgments for the second edition // Introduction // How to use this book // I. Preliminaries / 1. The Filmmaking Team / 2. The Script, Meetings, and Screenings / 3. Role Models and Temp Tracks / 4. Spotting the Film / 5. Budgets and Schedules // II. Conceptualizing / 6. Developing the Concept / 7. Demostrating the Score: Mockups and Electronics // III. Timings / 8. Timings and Clicks I / 9. Timings and Clicks II // IV. Composing / 10. Playing the Drama / 11. Genres and Source Music / 12. Composing / 13. Using Melody / 14. Using Harmony / 15. Using Rhythm / 16. Using Orchestration / 17. Technical and Practical Considerations // V. Recording / 18. Recording: The Scoring Stage / 19. Dubbing: The Final Mix // VI. Electronic and Contemporary Scoring / 20. Using Electronic Music / 21. Using Contemporary Music / 22. Scoring for Television // VII. Songs / 23. Musicals and Prerecording / 24. Songs // VIII. The Business / 25. The Business // Epilogue: On the Track // The Interviewees and Authors // Appendix A. Study Assignments // Appendix B. Footage/Timing Conversions // Appendix C. Calculator Method for Timings // Appendix D. Drop-Frame // Glossary // End Notes // Bibliography // Web Sites // Music Excerpts // Index