Reel Tracks : Australian Feature Film Music and Cultural Identities

SUMARIO. Soundscapes of surf and steel : Blackrock and Bootmen ; Shane Homan / New-Age Ned : Scoring Irishness and masculinity in Ned Kelly ; Helen O'Shea / Hauntings : Soundtrack representations of Papua New Guinea in To have and to hold and In a savage land ; Philip Hayward / Hei-fen and musical subtexts in two Australian films by Clara Law ; Tony Mitchell / Lost in music : popular music, multiculturalism and Australian film ; Jon Stratton / Scoring : sexuality and Australian film music, 1990-2003 ; Bruce Johnson and Gaye Poole / Christ kid, you're a weirdo : aural construction of subjectivity in Bad boy bubby ; Melissa Iocco and Anna Hickey-Moody / The sound of redemption in Chopper : rediscovering ambience as affect ; Mark Evans / Sounds of Australia in Rabbit-proof fence ; Marjorie D. Kibby / Untangling Lantana : a study of film sound production ; Rebecca Coyle / Moon music : musical meanings in One night the moon ; Kate Winchester / Transcendent voices : choral music in Paradise road ; Jude Magee / Musical intertextuality in The bank ; Michael Hannan / Carl Vine's score in beDevil ; Catherine Summerhayes and Roger Hillman / The composer as alchemist : an overview of Australian feature film scores 1994-2004 ; Michael Atherton.,